#balisebooks – 2020 Hugo Award for Best Novella

After making choices for the Short Story award for the Hugo, I started reading the novellas, and ranking as I went as well. So let’s talk about all the Hugo nominated novellas 🙂 As for the short stories, any one of these is absolutely worth reading; I ended up having preferences… not necessarily where I was expecting (I was honestly thinking my #2 would finish #1, and I was expecting #5 to arrive much higher… and yet.), and all the works are very different, which I enjoyed.

6. The Haunting of Tram Car 015, by P. Djèlí Clark

This is a story set in an alternative Cairo at the very beginning of the 20th century. Alternative, because djinns, magic and alchemy have been a thing enough that there exists a Ministry of Alchemy, Enchantments and Supernatural Entities. We follow Hamed and Onsi, who have been tasked with understanding the why and the how of The Haunting of Tram Car 015 – as the title helpfully hints 😉 The atmosphere (including some great background about women’s voting rights) and world-building were fascinating, and I liked the character dynamic between Hamed, a fairly senior agent, and Onsi, a wonderfully enthusiastic newbie. For me specifically, it lacked something (I don’t know what!) to make it entirely memorable, which I regret.

5. This Is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone

I really, really wanted to love this one. Time travelling Romeo&Juliet? Yes please. Epistolary novel where the protagonists explain in detail their medium of writing, and every single one is more wonderful than the next? YES PLEASE. Absolutely gorgeous writing, to the point of real poetry? Doesn’t hurt, and check. Buuuuuuuuuuut I wasn’t able to connect with that book to the point I feel I should have to enjoy it fully. I think it’s a matter of “it’s not the book, it’s me” – and I think it’ll be high on the list of “things I need to re-read when I think I’ll be able to connect with it more”. I wouldn’t be surprised at all if this one gets the Best Novella award, and I’d be happy with it; it was just not my thing this time around (and I’m sad about it.)

4. The Deep, by Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes

The Deep talks about the wajinru, a folk that lives in the depth of the ocean. The wajinru have a historian, who’s chosen in every generation to hold the (traumatic) memory of their people. We follow the story of Yetu, the current historian – who has a very hard time holding that history in herself. The history of the wajinru is haunting, and its description in The Deep is fantastically well-rendered. The story of Yetu is heartbreaking and yet very relatable. And there’s a whole lot of philosophical questions around sacrifice, and around the idea of identity versus history, that I found very interesting too. This was not a fast-paced book, but it was very impactful.

3. Anxiety Is the Dizziness of Freedom, by Ted Chiang

The premise of this is very cool – consider a device, called a prism, that allows SOME communication between two parallel universes that differ from the point of a quantum event shown recorded by the device in question. Now, consider the use that quantum event as a “coin flip” – and boom, you have something that allows you to answer the question of “what if I had made that other choice?”. And since that quantum event has some chaotic consequences, you can find prisms in which things diverge in larger or smaller measures. On top of that setting, add some people who are trying to make profit from these communications with parallel universes, and boom, you get Anxiety Is the Dizziness of Freedom (love that title, by the way). I really liked the exploration of what worked and what didn’t in the setting, and the questions about “what is actually ‘core me'” was fascinating too. All in all, this was a very enthusing read 🙂

2. To Be Taught, If Fortunate, by Becky Chambers

This was the only novella I read before the Hugo nominations were out – because Becky Chambers, if you think I’m going to wait months before reading anything Becky Chambers writes… well. (Yes, I’m fangirling hard. Deal with it.) At the time I read it last year, I was writing: “A chronicle about a long-term space mission – 4 people on a starship, exploring 4 very different planets. It has a solid, competent crew, and science, and feels, and it feels so much longer (in a good way!!) than the small amount of pages, and it’s lovely, and am I fangirling a little bit too hard here? naaaahhh…”. I’ll keep it at that; and since it was the first I read and I loved it so much, that was a very high bar.

1. In an Absent Dream, by Seanan McGuire

My vote for Best Novella will go to In an Absent Dream. It’s about the tale of Katherine Lundy, who finds a door to the Goblin Market, where rules are important and fair value is an absolute rule (what “fair value” means is also discussed and a whole part of the book). I loved the main character, I loved the concept of the Goblin Market, and I profoundly enjoyed the fact that the more “epic” parts of the story were actually not shown but barely mentioned as “events that happened” (and that actually had important consequences!). This was a magical read – and definitely not all rainbows and unicorns, it also had a fair amount of sadness and of bittersweetness – and I loved this novella so much. Seanan McGuire (and the series of which In an Absent Dream is a part of) is definitely on the list of people from whom I want to read more stuff (… as soon as I’m done with reading all I can for the Hugo voting, I mean!)

“Hugo Award”, “Worldcon” and The Hugo Award Logo are service marks of the World Science Fiction Society, an unincorporated literary society.

#balisebooks – 2020 Hugo Award for Best Short Story

I subscribed to the “I want to vote for the Hugo awards” tier of CoNZealand/Worldcon a few months ago, and the voter packets have just arrived! I don’t expect to be able to vote for all the awards, because there is A LOT of content, and not that much time until mid-July; but the Short Story one is definitely a “low-hanging fruit” when it comes to making my mind for the one I want to vote for. So I read all of them, and here’s my personal ranking!

The cool thing about short stories is that most of them are publicly available, so you can go and have a look too 🙂 And the cool thing about Hugo-nominated stories is that they are all worth a read – I have my favorites and the ones I like less, but they are all objectively great works.

6. Do Not Look Back, My Lion – Alix E. Harrow

Eefa is a self-described good husband, but she’s fed up with her wife going to war, again, especially since said wife is pregnant, again. As you can probably see from this short description, there’s a fair amount of playing with/subverting traditional gender role clichés in this short story – which I’m all in favor of. But, while it is very well-written, and while I actually like the characters, I get the impression that this is the main point of the story, and that I’d like a bit more plot. To be honest, and that probably says more about me than about the story… I was somewhat bored.

5. A Catalog of Storms – Fran Wilde

In Sila’s world, the way to weather storms is to name them and yell at them; but the weathermen who have this power end up being taken by the storms. This was for sure very poetic and I thought I would love this – but it ended up being somewhat confusing for me, and it didn’t move me much. Loved the lists of winds, though – these are beautiful. Oh, and the cover of the Uncanny in which this has been published is fantastic.

4. And Now His Lordship Is Laughing – Shiv Ramdas

In India during WWII, Apa, a Bengali old woman, makes jute dolls that caught the eye of the local governor – who won’t take no for an answer when he asks for one. This was the first story I read, and while I liked it a lot, I knew it would probably not get my vote. The story and the context are powerful, and the writing is superb and memorable, but this is not the kind of stories that I personally enjoy. The historical context makes it complicated for me – yes, I’m glad I read it because I suck at world history and anything that makes me aware of historical events and makes me look into them is welcome, and there’s no denying that these stories are important to tell and to read, but it doesn’t make the experience… comfortable. Not that reading should be comfortable, but I’ll admit that my own discomfort makes this short story lower in my rating that it probably deserves.

3. Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island – Nibedita Sen

Literally what the title says – a story of “cannibal women of Ratnabar Island” (and one who’s been brought to England), told as excerpts from an annotated bibliography. I found it very interesting how much story can be told and implied in such a short story. I absolutely loved to see the many sides of the story (that felt fun and quite cheeky), and I’d be very curious about a longer form – although a longer form would probably not deliver the same punch. And I was delighted by the form of this work. All in all, loved it.

2. As the Last I May Know – S.L. Huang

A story from the point of view of Nyma, a young girl who carries the codes for “seres missiles” in her chest: if the President wants to use said missiles, he has to kill her first to access them. It’s definitely a story built on a moral dilemma (which feels like some kind of variation of the trolley dilemma) as a major plot device, but there’s enough flesh given to the characters that it’s more than that. It’s a bleak story, but I’d qualify that as “softly bleak” – with more resignation and acceptance than hate and vengeance. And it was honestly a tough choice between this and the next one for the first place.

1. Blood Is Another Word for Hunger – Rivers Solomon

Sully, a teenage slave, mass-murders the family that owns her, and gives birth to Ziza, already a teenager at the time of her birth too. I feel like I should not have liked this story. For one thing, it’s quite graphical with a LOT of blood, and the premise is way more WTF than I usually like. And, as I mentioned in And Now His Lordship Is Laughing, historical context often makes me uncomfortable. And all in all, this is a strange and uncomfortable story – uncanny may be the right word – and yet haunting and beautiful and a real surprise when it comes to “I… I think I liked this a lot, although I can’t explain it”.

There, that’s all for me. As hinted at the beginning, I will actually be happy with any of these short stories winning the award. This is the first time I read the whole selection and get to have Opinions on this specific award, so I wouldn’t dare to bet on the winner 😉 They’re all very solid choices; the general selection seems to be somewhat bleaker than what I usually enjoy in my fiction, but I can only recommend all of you to have a look at these if you’re in the market for some short bites to read.

“Hugo Award”, “Worldcon” and The Hugo Award Logo are service marks of the World Science Fiction Society, an unincorporated literary society.