I subscribed to the “I want to vote for the Hugo awards” tier of CoNZealand/Worldcon a few months ago, and the voter packets have just arrived! I don’t expect to be able to vote for all the awards, because there is A LOT of content, and not that much time until mid-July; but the Short Story one is definitely a “low-hanging fruit” when it comes to making my mind for the one I want to vote for. So I read all of them, and here’s my personal ranking!
The cool thing about short stories is that most of them are publicly available, so you can go and have a look too 🙂 And the cool thing about Hugo-nominated stories is that they are all worth a read – I have my favorites and the ones I like less, but they are all objectively great works.
Eefa is a self-described good husband, but she’s fed up with her wife going to war, again, especially since said wife is pregnant, again. As you can probably see from this short description, there’s a fair amount of playing with/subverting traditional gender role clichés in this short story – which I’m all in favor of. But, while it is very well-written, and while I actually like the characters, I get the impression that this is the main point of the story, and that I’d like a bit more plot. To be honest, and that probably says more about me than about the story… I was somewhat bored.
In Sila’s world, the way to weather storms is to name them and yell at them; but the weathermen who have this power end up being taken by the storms. This was for sure very poetic and I thought I would love this – but it ended up being somewhat confusing for me, and it didn’t move me much. Loved the lists of winds, though – these are beautiful. Oh, and the cover of the Uncanny in which this has been published is fantastic.
In India during WWII, Apa, a Bengali old woman, makes jute dolls that caught the eye of the local governor – who won’t take no for an answer when he asks for one. This was the first story I read, and while I liked it a lot, I knew it would probably not get my vote. The story and the context are powerful, and the writing is superb and memorable, but this is not the kind of stories that I personally enjoy. The historical context makes it complicated for me – yes, I’m glad I read it because I suck at world history and anything that makes me aware of historical events and makes me look into them is welcome, and there’s no denying that these stories are important to tell and to read, but it doesn’t make the experience… comfortable. Not that reading should be comfortable, but I’ll admit that my own discomfort makes this short story lower in my rating that it probably deserves.
3. Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island – Nibedita Sen
Literally what the title says – a story of “cannibal women of Ratnabar Island” (and one who’s been brought to England), told as excerpts from an annotated bibliography. I found it very interesting how much story can be told and implied in such a short story. I absolutely loved to see the many sides of the story (that felt fun and quite cheeky), and I’d be very curious about a longer form – although a longer form would probably not deliver the same punch. And I was delighted by the form of this work. All in all, loved it.
A story from the point of view of Nyma, a young girl who carries the codes for “seres missiles” in her chest: if the President wants to use said missiles, he has to kill her first to access them. It’s definitely a story built on a moral dilemma (which feels like some kind of variation of the trolley dilemma) as a major plot device, but there’s enough flesh given to the characters that it’s more than that. It’s a bleak story, but I’d qualify that as “softly bleak” – with more resignation and acceptance than hate and vengeance. And it was honestly a tough choice between this and the next one for the first place.
Sully, a teenage slave, mass-murders the family that owns her, and gives birth to Ziza, already a teenager at the time of her birth too. I feel like I should not have liked this story. For one thing, it’s quite graphical with a LOT of blood, and the premise is way more WTF than I usually like. And, as I mentioned in And Now His Lordship Is Laughing, historical context often makes me uncomfortable. And all in all, this is a strange and uncomfortable story – uncanny may be the right word – and yet haunting and beautiful and a real surprise when it comes to “I… I think I liked this a lot, although I can’t explain it”.
There, that’s all for me. As hinted at the beginning, I will actually be happy with any of these short stories winning the award. This is the first time I read the whole selection and get to have Opinions on this specific award, so I wouldn’t dare to bet on the winner 😉 They’re all very solid choices; the general selection seems to be somewhat bleaker than what I usually enjoy in my fiction, but I can only recommend all of you to have a look at these if you’re in the market for some short bites to read.
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